Reviews

Two Weddings, One Bride
Giroflé / Girofla

OPERA AUSTRALIA

“Soprano Zoe Drummond masters the silvery soprano style in which the notes pour forth from an ever-smiling mouth”
Simon Parris: Man In Chair, 2019

“Drummond is vivacious….[her] upper register is delicately pristine, exciting the crowd.”
Performing Arts Hub, 2019

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“Zoe Drummond is charming, her soprano bright and attractive.”
The Sydney Morning Herald, 2019

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The Enchanted Pig
Adelaide

YARRA VALLEY OPERA FESTIVAL

“Zoe Drummond, as her vixen-like daughter, Adelaide, launches into one of many performance highlights with a bridezilla outburst in front of her wedding caterers, her soprano assured, athletic and penetrating.”
Limelight Magazine, 2019

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La Cenerentola
Clorinda

WEST GREEN HOUSE OPERA

“[The] daughters, Zoe Drummond’s Clorinda and Sioned Gwen Davies as Tisbe, were superb as bickering siblings; to the manor born as chavvy teenagers whose attempts to win the hand of Ramiro made for some truly cringe-making moments – a compelling coupling.”
Opera Today, 2019

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A Midsummer Night’s Dream
Tytania

GUILDHALL SCHOOL OF MUSIC AND DRAMA

“This is a production that unequivocally puts the fairies in charge, led by Collin Shay as Oberon. He is strongly paired by Zoe Drummond, also in the punk-goth groove, and blessed with a powerful, dramatic soprano and an equally commanding stage presence. In this most magical of operas, they are both spellbinding.”
Classical Source, 2019

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Così fan tutte
Despina

GUILDHALL SCHOOL OF MUSIC AND DRAMA

“Finally, there was the playful Despina essayed by the splendid Australian soprano Zoe Drummond. Her CV already boasts an impressive array of roles…and she seemed perfectly at home on stage here, coquettish and entrancing in her role as Alfonso’s left-hand woman, her ‘Una donna a quindici anni’ simply delicious vocally. Fresh-voiced and beautifully accurate, she excelled. “
Seen and Heard International, 2018

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Winner & Mathy Marianne Mathy Scholarship Recipient

IFAC HANDA AUSTRALIAN SINGING COMPETITION

“Drummond impressed judges with a technically refined reading of the aria ‘Nel grave tormento’... She followed it up with Nanetta’s aria…sung with commendable control and shimmering tone. “
Limelight magazine, 2018

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A Dinner Engagement
Susan

GUILDHALL SCHOOL OF MUSIC AND DRAMA

“Every time Zoe Drummond’s recalcitrant Susan appeared…I could not help but smile. Her soprano floated effortlessly, a soufflé of freedom in contrast to the stew of panic around her”
Opera Today, 2018

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The Sleeping Beauty
The Nightingale

VICTORIAN OPERA

“beautiful coloratura passages”
Limelight Magazine, 2017

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The Eighth Wonder
Architects Daughter/ Clare Goldring/ Socialite

OPERA AUSTRALIA

“played many roles with impressive ease”
Limelight Magazine, 2016

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